Mostrar mensagens com a etiqueta Nick Cave. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Nick Cave. Mostrar todas as mensagens

quinta-feira, 28 de setembro de 2023

Nick Cave, só porque sim




Red Right Hand, do álbum Let Love In, editado em !994
Verdadeiramente nunca há um motivo para explicar porque um determinado tema de Nick Cave mexe connosco ou porque gostamos dele.
É só porque sim. Porque fala connosco. E é isto.

Fica a curiosidade de o título da canção simbolizar o castigo divino, uma ameaça sempre presente, ou até como já sugerido, a mão de Satanás. 
Para quem segue séries poderá reconhecer esta canção em duas que se tornaram de culto: a série, já longínqua no tempo, X-Files de 1993 e outra, bem mais recente, de nome Peaky Blinders.









Take a little walk to the edge of town 
and go across the tracks 
Where the viaduct looms, 
like a bird of doom 
As it shifts and cracks 
Where secrets lie in the border fires, 
in the humming wires 
Hey man, you know 
you're never coming back 
Past the square, past the bridge, 
past the mills, past the stacks 
On a gathering storm comes 
a tall handsome man 
in a dusty black coat with 
a red right hand 

He'll wrap you in his arms, 
tell you that you've been a good boy 
He'll rekindle all the dreams 
it took you a lifetime to destroy 
He'll reach deep into the hole, 
heal your shrinking soul, 
but there won't be a single thing 
that you can do 
He's a god, he's a man, 
he's a ghost, he's a guru 
They're whispering his name 
through this disappearing land 
But hidden in his coat 
is a red right hand 

You don't have no money? 
He'll get you some 
You don't have no car? 
He'll get you one 
You don't have no self-respect, 
you feel like an insect 
Well don't you worry buddy, 
'cause here he comes 
Through the ghettos and the barrio 
and the bowery and the slum 
A shadow is cast wherever he stands 
Stacks of green paper in his
red right hand 

You'll see him in your nightmares, 
you'll see him in your dreams 
He'll appear out of nowhere 
but he ain't what he seems 
You'll see him in your head, 
on the TV screen 
And hey buddy, I'm warning you to turn it off 
He's a ghost, he's a god, 
he's a man, he's a guru 
You're one microscopic cog 
in his catastrophic plan 
Designed and directed by his 
red right hand





terça-feira, 20 de outubro de 2020

Nick Cave - Push the Sky Away

 



I was right
I was right
Oh, the sun, the sun
The sun is rising from the field

I've got a feeling
I just can't shake
I've got a feeling
That just won't go away

You've got to just
Keep on pushing
Keep on pushing
Push the sky away

And if your friends think
That you should do it different
And if they think
That you should do it the same

You've got to just
Keep on pushing
Keep on pushing
Push the sky away

And if you're feeling
You've got everything you came for
If you got everything
And you don't want no more

You've got to just
Keep on pushing
Keep on pushing
Push the sky away

And some people
Say it's just rock'n roll
Oh, but it gets you
Right down to your soul


sexta-feira, 20 de dezembro de 2019

a canção mais bonita de 2019 - Bright Horses (Ghosteen)




A dor, a tristeza profunda, podem produzir coisas muito, muito bonitas e profundamente cartáticas.
E na catarse de outros por vezes reencontramos formas de aconchego importante.

Ghosteeen, o mais recente álbum de Nick Cave and the Bad Seeds, lançado nos primeiros dias de 2019, foi primeiro a ser lançado depois da morte do seu filho em 2015.

Em Ghosteen - o seu filho Arthur com morreu com quinze anos (fifteen) - Nick Cave abraçou explicitamente a dor da perda. Explicou ao mundo o que sentia e ilustrou essa explicação em sonoridades minimalistas mas cheias de emoção, de dor e de fantasia. E de muita beleza.

Ghosteen prova aquilo em que profundamente acredito: que a tristeza é um poderoso catalisador de beleza. Algumas das coisas mais bonitas, mais poderosas e marcantes que a humanidade produziu foi sob a influência da perda.

Concordo com Nick Cave: suavizemos a perda, dar-lhe uma forma bonita e enlevada "little white shape dancing at the end of the hall" mas depois há a realidade dura, seca, implacável que não pode ser ignorada "Is just a wish that time can't dissolve at all."

Bright Horses é pura catarse mas também a canção mais bonita de 2019.





The bright horses have broken free from the fields
They are horses of love, their manes full of fire
They are parting the cities, those bright burning horses
And everyone is hiding, and no one makes a sound
And I'm by your side and I'm holding your hand
Bright horses of wonder springing from your burning hand

And everyone has a heart and it's calling for something
We're all so sick and tired of seeing things as they are
Horses are just horses and their manes aren't full of fire
The fields are just fields, and there ain't no Lord
And everyone is hidden, and everyone is cruel
And there's no shortage of tyrants, and no shortage of fools
And the little white shape dancing at the end of the hall
Is just a wish that time can't dissolve at all
Oh, oh, oh

Oh, oh, oh, well, this world is plain to see
It don't mean we can't believe in something, and anyway
My baby's coming back now on the next train
I can hear the whistle blowing, I can hear the mighty roar
I can hear the horses prancing in the pastures of the Lord
Oh the train is coming, and I'm standing here to see
And it's bringing my baby right back to me
Well there are some things too hard to explain
But my baby's coming home now, on the 5:30 train


quarta-feira, 19 de setembro de 2018

a ouvir (de novo) em Tblisi


Fui para o aeroporto de Tblisi a trautear Where the Wild Roses Grow.
Um dueto incrível entre Nick Cave e Kylie Minogue que surge no álbum Murder Ballads de Nick Cave, corria o ano de 1996.

Na noite anterior, num daqueles cafés perdidos nas labirínticas ruelas da velha Tblisi, a playlist voltou a ser de excelência.
O Pur Pur, um dos cafés restaurante mais antigos da cidade, tem uma decoração maravilhosamente misturada com notas retro, vintage e victoriana. Uma colagem de épocas. O ambiente é sabiamente iluminado com cores quentes, a convidar à conversa agradável, ao romantismo. Ele é conhecido pela sua cozinha, carta de vinhos e pelos (altos) preços praticados.

Regularmente tem música ao vivo. Na altura, tocou um quinteto de jazz com dois saxofones (tenor e alto), um baixo, uma guitarra e bateria. Todos músicos excelentes, à excepção talvez do saxofone alto que mostrou algumas hesitações e por vezes falta de fôlego.
Após o concerto, a playlist do Pur Pur entrou em acção. Ao deixar o bar, Where the Wild Roses Grow de Nick Cave, umas das minhas favoritas de sempre, inundou-me com uma suave, mas insinuante, melancolia. Arrumei com todo o cuidado a minha cadeira para que esta não perturbasse a dupla de vozes.




They call me The Wild Rose But my name was Elisa Day Why they call me it I do not know For my name was Elisa Day From the first day I saw her I knew she was the one She stared in my eyes and smiled For her lips were the colour Of the roses That grew down the river, all bloody and wild When he knocked on my door and entered the room My trembling subsided in his sure embrace He would be my first man And with a careful hand he wiped at the tears that ran down my face They call me The Wild Rose But my name was Elisa Day Why they call me that I do not know For my name was Elisa Day On the second day I brought her a flower She was more beautiful than any woman I've seen I said, 'Do you know Where the wild roses grow so sweet and scarlet and free?' On the second day he came with a single red rose He said: 'Give me your loss and your sorrow' I nodded my head, As I lay on the bed 'If I show you the roses will you follow?' They call me The Wild Rose But my name was Elisa Day Why they call me that I do not know For my name was Elisa Day On the third day he took me to the river He showed me the roses and we kissed And the last thing I heard Was a muttered word As he knelt above me with a rock in his fist On the last day I took her where the wild roses grow She laid on the bank, the wind light as a thief And I kissed her goodbye Said, 'All beauty must die' And I lent down and planted a rose 'tween her teeth They call me The Wild Rose But my name was Elisa Day Why they call me it I do not know For my name was Elisa Day My name was Elisa Day For my name was Elisa Day